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CSR — Magazine reader Application Design
ABOUT CSR MAGAZINE
Competition Success Review, often abbreviated as CSR, is a general at students who wish to appear for Union Public Service Commission exams. Its content includes general knowledge with a focus on Indian current events, tips for college interviews, interviews with IAS high-rankers, interview and GD tips and sample question papers for different competitive examinations. It was first published in 1964 as a pull-out supplement.
Visual Identity design for the Cultural Ed-Tech Startup — Abhyasak
ABOUT THE BRAND ABHYASAK
Abhyasak is a pioneering start-up venture by Codemischief Software Solutions, based in Pune. This initiative is a heartfelt endeavor to pass on the rich heritage of Indian culture and arts to the next generation. Abhyasak offers an innovative online platform, available both as a website and an app, where children can learn traditional Indian arts and crafts from the comfort of their homes. Through engaging and interactive content, Abhyasak aims to nurture a love for Indian cultural heritage in young minds, ensuring these timeless traditions continue to thrive.
THE PROJECT
This project was completed as my final year graduation project at
the National Institute of India, Ahmedabad.
The project's scope encompassed two primary areas:
1. Brand Name and Brand Articulation
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Conducting the necessary workshops to gather insights and ideas.
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Developing alternative directions for the brand name.
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Providing inputs for effective brand articulation.
2. Visual Identity of the Brand
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Crafting a visual identity by creating various alternative concepts.
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Establishing guidelines for the usage of the visual identity across different media and touch-points.
This comprehensive approach ensures that the brand is not only well-defined but also visually consistent and appealing across all platforms.
THE VISUAL IDENTITY
The brand logo
The brand wordmark
THE CORE MESSAGE OF THE BRAND
After conducting a series of brand naming and articulation workshops with all company stakeholders, we iterated several times to refine the brand's core message. This process became a crucial element of my primary research for the visual identity design exercise.
Audience relationship insights
The target audience includes migrant parents within India, those seeking cross-state cultural education, parents wanting to preserve their state's culture, NRI parents seeking cultural connection for their children, and those valuing or needing education on extracurricular skills for holistic growth.
COMPETITIONS STUDY
We compiled a comprehensive list of all potential brands and competitors, categorizing them into horizontal, vertical, and indirect competitors. We meticulously analyzed their websites, apps, billboards, and other touchpoints to understand how they maintain their visual language through logos, illustrations, and photography. This thorough analysis provided valuable insights into the audience preferences that these brands cater to.
Conceptualisation through Keywaods and mindmapping
After completing the brand articulation process, understanding the business model, and conducting a comprehensive competitive analysis, we gained insights into the interrelationships between stakeholders and identified the potential touchpoints for applying the visual identity. This exercise enabled us to generate meaningful metaphors and grasp the semiotics of the brand through thoughtful exploration and key concepts
Brand Personality
1. PARENTAL
2.DESI/ INDIAN
3. PROUD
4. FRIENDLY
5. CREATIVE
6. LEARNED
Tone of Voice
1. DESI/ INDIAN
2. UNUSUAL
3. APT
4. INFORMAL
5. CONFIDENT
6. PLAYFUL
Design Criteria
1. LIGHT
2. WARM
3. FLEXIBLE
4. CASUAL
5. FRESH
6. ENLIGHTING
THINKING ON PAPER
We began exploring various visual forms through rigorous sketching, drawing inspiration from the visual cues and metaphors generated during our mind mapping exercise. This phase was the most engaging and exciting part of the entire design project.
ALTERNATIVE CONCEPTS
We developed eight unique concepts for the initial presentation to the client. Each concept is meaningful and inspired by the visual cues related to the brand's core message.
THE SHORT LISTED CONCEPTS
The following two concepts were shortlisted after internal reviews, feedback from guides, and initial client presentations:
Dynamic Form, Movement, Joy, Indianness, Indic languages, Free- flowing, energy
Parental, spiritual, calm, Indian, warm, safe, symmetric, balanced, discipline
THE IMPROVISATION IN THE SELECTED CONCEPT
Based on the feedback and reviews, we refined the selected concept. To make it more friendly, warm, and flexible, we added gradients and softened the edges to create smoother, curvier forms, making the overall design more welcoming
THE COLOUR PALETTE
THE LOGO
THE WORD-MARK
THE TYPOGRAPHY
Nunito Extra bold typeface is used for primary texts for the band
THE VISUAL LANGUAGE
For defining the visual language for the brand, considering all the touch points, it was required to generate the tertiary colour palette. Its is mostly used in the background along with the selected colour gradient strokes in the foreground.
THE TERTIARY COLOUR PALETTE
THE PATTERN LIBRARY
For the constant application across various touch-points the patterns library is created.
Depending on the size, resolutions and the aspect ratios different patters can be used.
THE GUIDELINES TO GENERATE BRAND VISUALS
The key brand element is the gradient stroke, it has been defined and considered as a part of style guides for creating the brand visuals For expanding the pattern library and creating brand visuals by different designers this was the much needed tutorial.
THE SUPPORTING TEXT
For the supporting text of the brand Puffin-Display bold typeface is chosen. Only text in the selected gradient format standalone can represent the brand.
APPLICATIONS OF THE DEFINED VISUAL LANGUAGE :
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